Many of the chapters unfold and examine the conditions and implications of James’s layered space-times. This exchange beckons to the timeliness of Charles Forsdick and Christian Høgsbjerg’s collection. In reply, James returns to the scene of 1930s London, adding that the book was “a forecast of what would take place in Africa.” To this, Turkel asserts that James “wrote about the past writing about present and future” (340).
James and Studs Terkel from 1970, printed in the first appendix of The Black Jacobins Reader, Turkel remarks to James that his 1938 magnum opus The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution “deals with the reality of today, too” (339).
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